Tuesday, December 15, 2015

Hunger Makes Me a Modern Girl by Carrie Brownstein



Carrie Brownstein is probably best known for starring in the IFC series Portlandia with Fred Armisen, but prior to her TV career she played in several bands, most notably the Olympia, Washington based trio Sleater-Kinney. In Hunger Makes Me a Modern Girl Brownstein tells the story of Sleater-Kinney’s initial ten year run and recent reunion and also covers her unusual childhood.

Brownstein grew up in the Pacific Northwest. Her mother suffered from anorexia and eventually left Carrie, her father, and her sister to fend for themselves. Her father eventually started renting out rooms in their house to young man, claiming the house was too big for just the three of them. She would eventually find out that her father was gay and that he possibly had relationships with some of the young men who boarded there.

This fractured childhood led her to look for something to belong to and she eventually found it with the raw and often political music scenes that were forming in various parts of the state of Washington.  After forming a short-lived band called Excuse 17, Brownstein formed Sleater-Kinney with Corinne Tucker from the Riot Grrrl band Heavens to Betsy. After their third album, Dig Me Out, the band started to have success with indie music fans and music critics. This success, which was hardly on the level of the Spice Girls and other hugely successful acts at that time, led them to have some tension with the Olympia music scene. In Olympia, too much success was frowned upon. Acts were supposed to be quirky and not too serious about turning their bands into careers. Brownstein talks a lot about the politics of that scene and the indie music scene in general. She also talks about her love/hate relationship with touring, including many health problems she was stricken with while on the road.

I listened to the audiobook version of Hunger Makes Me a Modern Girl, which was read by the author. She does a wonderful job reading it and avoids getting too dramatic or monotone, the way many authors do when reading their own work. This book was truly enjoyable. I couldn’t wait to get into my car to listen to more of it.

John

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